- Over the route of Kodak Black’s career in Hip Hop, the artist has been marred with arguable takes, conspiracy theories, and incarceration.
- Once lauded because of the destiny of Florida, Kodak carried with him.
The cult-following of SoundCloud rappers like XXXTENTACION and Juice WRLD, turning in blood-soaked raps with squeaking zeal. Between stints in jails and prisons. Kodak unleashed hellfire thru tracks inclusive of “No Flockin’,” “ZEZE,” and “Drowning,” charming audiences within the Sunshine State and beyond. Along with his particular voice and damaged-hearted ballads filled with memorable one-liners and hellacious deliveries.
Haitian Boy Kodak arrived this beyond May and marked the first mission Kodak has dropped since being launched after serving his state-of-the-art prison stint, a 46-month bid that ended upon former President Trump’s commuting of his sentence.
With eight tracks coming in at simply underneath 22-mins, Haitian Boy Kodak breaks from the trend of lengthy Hip Hop albums. He turns the focus inward, putting capabilities apart for a more holistic portrait of Kodak as a person and artist.
Unfortunately, the portrait was rushed and poorly drawn.
There are attempts to wrangle Haitian Boy Kodak into a tightly sure exploration into his history. Born to a Haitian immigrant (the Z Queen makes an appearance inside the accompanying video to Lil Yachty and Kodak’s “Hit Bout It”), Kodak’s no longer previously long gone into any precise detail about his upbringing.
On “Dejanbem,” Kodak sings in Haitian Creole, pleading for Heaven’s steerage as he recalls the perils of incarceration and the distress of heartache, resulting in one of the album’s most substantial services. But other than “Dejanbem” and the album’s identity, Haitian Boy Kodak rarely scratches the floor of his life’s story, leaving unanswered questions and little context.
There are moments on Haitian Boy Kodak while the Dade County rapper indicates signs and symptoms of lyrical spontaneity and circulate-of-awareness, which added him to the leading edge of his generation earlier this decade. However, as opposed to the nuanced, clever bars observed in projects including 2018’s Dying to Live or even 2017’s Painting Pictures.
We’re left with a scattered collection of half-built ideas. Sure, there’s “Round The Roses” and “Z Look Jamaican,” two tracks with a view to likely rack up some streams and get hold of a few radio play. However, those songs can’t maintain a flame to Kodak’s preceding hits received’t stand as meaningful offerings within the “Lockjaw” rapper’s discography.